A painter’s journey from the heart of Abra to the global stage

Art has the incredible power to cross boundaries, cultures, and generations. At the heart of this power is the individual artist whose brush strokes speak of their life’s journey. One such tale is that of Jinkee Medlei Molina – Sangoy, a self-employed artist whose work, ethos, and journey capture the essence of Filipino artistry.

A Rooted Beginning

Hailing from the indigenous Tribes of Masadiit in Labaan, Bucloc, Abra, Jinkee’s story is deeply rooted in her cultural background. From the scenic landscapes of Poblacion, Abra, where she currently resides with her family, to the intricate histories of her indigenous tribe, her art speaks of her love and connection to her heritage.

Jinkee’s passion for art ignited when she was just seven years old. She mentions, “Art is beautiful. I love drawing, and showing my artwork to the world has been my lifelong dream.” Her first works, inspired by fantasy allure series women, showcase a blend of imagination and reality, mirroring the duality of her own life.

Juggling Multiple Roles

Jinkee’s life is a testament to her multifaceted roles: a self-employed painter, a mother of three, and a wife. But the title she holds with utmost pride is that of a representative of the Philippines on international platforms. Every piece of her art carries with it the essence of her country and her community.

Beyond her professional life, Jinkee is an active participant in the Pasajalye group of artists in Baguio city. This group, renowned for its philanthropy, supports those in need, aligning with Jinkee’s personal belief in the power of art to evoke change and spread love.

The Digital Canvas

In the modern age of digital connectivity, Jinkee has embraced the power of social media. She mentions, “I meet a lot of good people on Facebook who have become strong supporters of my art.” The digital realm has brought her closer to a global audience and has fortified her resolve to showcase Filipino artistry to the world.